Portrait of a Diary as a Young Idea

Wow, four blog posts in one month! It's been a busy "arty" four weeks, including a pleasant overseas holiday followed by several days of creative events in Cardiff, culminating in a visit to the Chapter Art Car Bootique on Sunday 25th May.

Back to earth with a bump, I've tasked myself to keep an Artist's Diary. Using visual media to chart my feelings, thoughts and state of mind, I'm aiming to create one piece of work per day. I've set myself ground rules, which include:

* creating the work at a similar time of day (early evening)
* with a time limit of approxiately 1 hour.
* using my paints/pens and readily available materials (includes a small number of pre-made canvases)
* each portrait is to be in square format.
* only one 'take', no second chances

The start date was Sunday 25th May. I'm hoping I can sustain it until the opening night of the Cardiff School of Art and Design (CSAD) degree show on 7th June - this will be the final degree show at the Howard Gardens campus, a historic time, after which the university is closing its 48 year old buildings (and no doubt demolishing them).

Time-specific art appeals to my sensibilities. If nothing else it annoys the traditionalists who believe art should be timeless. I've a long interest in historical records, having been actively interested in local and family history since my teens. In addition, I volunteer with a mental health charity and have an interest in the use of art as a therapy, an exploration of inner thoughts. People with a mental illness are sometimes encouraged to record a 'mood diary' and, as everyone should be reminded, we all have 'mental health' of varying quality.

Only ...erm ...time will tell whether this experiment sustains itself and produces interesting results...

This is Democracy

"This is Democracy" (detail)

Recently I submitted a piece of writing and an image of one of my early screen prints, This is Democracy, to artist/curator Shaun Featherstone's Red Shoes publication. The magazine was published last week and, though the piece of writing made the final cut, the artwork didn't. That's a shame particularly for an 'artist led' political publication, but I remain optimistic that the Red Shoes initiative will do good things.

I'm fond of my early artworks (such as This is Democracy) which tentatively explored the cross-over between art and politics. TiD took an image of a mass public demonstration and superimposed it on a floral cotton fabric. This was a common theme in my work, which questioned whether art had real power to influence events. Though artists often play a part in wider political movements, their artwork takes part in a dialogue safely contained within the confines of the art milieu. Well, I was young(er) and cynical of everything in those days, but I think I made a valid point.

The power of art lies in its ability to encourage people to see (and engage in) their world from a slightly different perspective. Humans are fundamentally cooperative, creative and curious animals. Artists have sought, for many decades, to take their creativity to a wider audience outside the traditional art gallery context. Then it often gets reigned in and neutered!

Well, the curtain material shops in City Road, Cardiff, are still flourishing and I may soon pay them another visit. But maybe the debate should move onto different ground, such as the one Red Shoes is trying to inhabit.

"Red Shoes" events take place at G39 Gallery, Cardiff and (no doubt) the streets between May and October 2014.

Shift in Focus

A potentially interesting photography exhibition opened in Cardiff this weekend - "Shift: Ukraine in Crisis" at the Third Floor Gallery in Butetown. As the title suggests, the subject is the ongoing turmoil in Ukraine, where pro-Europeans and pro-Russians are becoming increasingly violent towards one another. With an election looming in Ukraine at the end of May 2014, the exhibition intends to change its display at the end of the month - hence the "Shift", or what the exhibition blurb calls a "dynamic curatorial event".

Certainly in the world of fine art gallery system there is rarely an opportunity to react quickly to events. Exhibitions are booked months or years in advance. Art is traditionally expected to address 'timeless' themes and art production often uses labourious time-consuming methods of creation. Last year I came across a Danish fine artist, Thierry Geoffroy, who had attempted to address the problem. His 'Emergency Room' exhibitions give regular opportunities (often daily) for the exhibitors to enter the gallery and amend or replace their works as outside events progress.

Photography at least has the advantage of having a variety of regularly published news platforms - papers, magazines - as an outlet for its reportage. Digital photographs can be emailed within seconds. The Third Floor exhibition errs away from journalism and heavily towards the 'arty' photograph, laiden with symbolism and, dare I say, a beautiful but static view of a bloody civil war. It is open to question whether such a controlled, sparce and traditional display fits with the aspiration of dynamism, change and response.

Of course, every exhibition of art and photography that encourages the audience to scrutinise images and consider their attitudes to major world events is a very good thing indeed. All credit goes to the photographers (and subjects) for their courage and creativity in a hostile environment. In my humble view the "Shift" idea has potential to be taken much further in the future than it is on this occasion.

Website: http://www.thirdfloorgallery.com/
Exhibition runs till 22 June, with a 'shift' scheduled for between 26 May and 1 June.

If Not Now, When?

An interesting inaugural meeting took place tonight in Cathays, Cardiff, entitled "If Not Now, When?" It gathered together a meeting room full of visual artists and creative types from the Cardiff area who shared a very loose commitment to political topics and social issues. The event was organised by artist Shaun Featherstone, I think, though 'Made in Spring' and the G39 Gallery seem to have a hand in this week's events.

Okay, I really should have a clear picture in my mind of the background to the meeting, especially considering I was tasked to write the minutes!! The event was made more memorable by a heavy rain shower that found its way through several holes in the roof. There was also an appearance by possibly the largest bag of potato crisps in the known world.

Topics for discussion included "Is art an effective means of protest?" and "Do art and politics mix?" The tentative suggestion was raised that an Artists Union could be set up for Welsh creative types. At the very least, a Facebook page will be created (by a graphic designer no less, so expect to be impressed).

Well, it was great to meet (and listen to) such a thoughtful and talented bunch of creative people. I hope something comes of it (another meeting is planned) though my head tells me the task of organising artists will be as successful as herding cats!!

@Kisbyism

Belatedly I should mention I've launched @Kisbyism on Twitter for 2014. It saves me having to think up long clever things to say comprised of more than 140 characters, though of course I will continue to make long verbose pronouncements of considerably more than 140 characters, here on my Kisbyism blog.

Follow me at https://twitter.com/Kisbyism

Artitecture - What Do Artists Do All Day?

Interesting to see Wales-adopted artist Shani Rhys James is being featured in a new BBC4 edition of "What Do Artists Do All Day?", to be broadcast this month ...though unfortunately hidden on a channel that few people watch.

Not long ago Shani had the accolade of being the only living artist featured in Rolf Harris's TV series "Rolf on Welsh Art", so is clearly becoming a tele-genic art celeb!

I won't begin to claim credit for this success, but I came across Shani's work several years ago while I was studying Architecture at Cardiff University (and I more recently wrote the Wikipedia entry about her). For a 'primer' design project I studied a number of local South Wales artists and their workspaces. I then used some of my observations to imagine what Shani Rhys James' workspace might be like. This was before the days of Google Street Snoop and I only knew she lived in mid-Wales, possibly in a coverted barn building. Some of her paintings are VAST in size, so I conjectured her workspace was barn-like in size and character.

My work of 'artitecture' (pictured above) was intended to be tongue-in-cheek, with a graphic, descriptive element as a concession to the clinical white-and-balsawood world of the architecture school. In my view, my other works of 'artitecture' were better works of art, being based on actual locations, contents, measurements and observations. But it will be extremely interesting to see whether my predictions about Shani's studio were in any way correct!

Open Studios West

Had a fabulous afternoon today visiting artists' studios in Pontcanna and Riverside for the second year of the Cardiff Open Studios weekend. It's a great opportunity for artists across the whole of the city to invite members of the public around their workspaces, especially good for artists outside the "Made in Roath" catchment zone.

Pontcanna has the amazing Kings Road Studios which has been established for 20 years, now has a couple of dozen resident artists and an on-site micro brewery, would you believe! I was offered a mug of tea and a cake and had a nice chat with several of the clever and hugely talented occupants. It surprised me how many of the resident artists I'd seen or heard of before - this is obviously a hotbed of Wales talent.

Riverside claimed several hidden gems, including photographer Kim Fielding esconced with several other colourful characters behind the doors of the long-closed Wells Hotel. The building itself is impressive, retaining its old weathered pub signs. It even has its own resident ghosts, a pair of murdered nuns.

Finally I had the privilege of visiting the studio of Jacqueline Alkema, who I've known by sight for years and was one of the judges at 2013's The Gate Open Exhibition. Her paintings are simply delightful, tremendously thoughtful, multi-layered and brilliantly crafted.

It's just a shame the event is so poorly publicised. I found about it purely by chance and most visitors were already friends and neighbours of the artists. Come on Cardiff Council, pull your finger out for 2014!!

www.cardiffopenstudios.com/