Cardiff's annual "Made in Roath" event, dominating the east side of the city, drew to a close this evening but it is only one of a plethora of major art events happening around the city this month. Coincidence or out-and-out competition, I'm not quite sure. "Cardiff Contemporary", is popping up all over the city till 9 November and has certainly stolen the limelight from MiR. Bigger still is the prestigious "Artes Mundi", attracting an international audience to the National Museum from 24 October onwards. Meanwhile "Empty Walls" gathers over 20 national and international street artists to decorate Cardiff's grey buildings with vibrant murals. On the weekend of 25/26 October Cardiff Open Studios throws the doors open on the remainder of the city's artists. In Cardiff Bay, the Butetown History and Art Centre launches Wales' first exhibition of 'Outsider Art', running until 16th November.
I had to spend several days scurrying back and forth across town because several pieces of my work were on display. My "United Colours of Madiba" painting got its first airing at Roath's SHO Gallery. My photograph of the Howard Gardens Art College campus was used prominently for the publicity and display at G39. In BHAC my "Portrait of a Diary as a Young Idea" fits well into the impressive array of paintings and sculpture on the 'Outsider Art' theme.
Fun though this may be, it is bewildering even for someone like myself who thought they were getting to grips with the artist personalities and groups in Cardiff. One would have thought, with 11 other months to choose from, there would be scope to spread these events out a bit! My heart tells me I should engage with the Made in Roath event, even though (said very quietly) I no longer live in ...erm ...Roath (and now the Roath Independence referendum has voted an overwhelming "YES" I may need a passport and visa to go to work). Made in Roath continues to be ultra popular, community based, democratic and encouraging mass participation and pride in the local area. In contrast "Cardiff Contemporary" goes down the more traditional route of professional artists presenting their work to the public in galleries, pop-ups and (occasionally) street corners. Exhibitions are selective and chosen from within the city's art scene. My head tells me I need to aim to engage with this event and, well, entering "Artes Mundi" is a distant pipe dream!!
Fortunately I can head for one of October's beer based "Octoberfest" events, hopefully numbing my brain to all this choice and confusion!!
http://madeinroath.com/
http://www.cardiffcontemporary.co.uk/
http://www.bhac.org/
Showing posts with label Butetown. Show all posts
Showing posts with label Butetown. Show all posts
Friday, 24 October 2014
Monday, 5 May 2014
Shift in Focus
A potentially interesting photography exhibition opened in Cardiff this weekend - "Shift: Ukraine in Crisis" at the Third Floor Gallery in Butetown. As the title suggests, the subject is the ongoing turmoil in Ukraine, where pro-Europeans and pro-Russians are becoming increasingly violent towards one another. With an election looming in Ukraine at the end of May 2014, the exhibition intends to change its display at the end of the month - hence the "Shift", or what the exhibition blurb calls a "dynamic curatorial event".
Certainly in the world of fine art gallery system there is rarely an opportunity to react quickly to events. Exhibitions are booked months or years in advance. Art is traditionally expected to address 'timeless' themes and art production often uses labourious time-consuming methods of creation. Last year I came across a Danish fine artist, Thierry Geoffroy, who had attempted to address the problem. His 'Emergency Room' exhibitions give regular opportunities (often daily) for the exhibitors to enter the gallery and amend or replace their works as outside events progress.
Photography at least has the advantage of having a variety of regularly published news platforms - papers, magazines - as an outlet for its reportage. Digital photographs can be emailed within seconds. The Third Floor exhibition errs away from journalism and heavily towards the 'arty' photograph, laiden with symbolism and, dare I say, a beautiful but static view of a bloody civil war. It is open to question whether such a controlled, sparce and traditional display fits with the aspiration of dynamism, change and response.
Of course, every exhibition of art and photography that encourages the audience to scrutinise images and consider their attitudes to major world events is a very good thing indeed. All credit goes to the photographers (and subjects) for their courage and creativity in a hostile environment. In my humble view the "Shift" idea has potential to be taken much further in the future than it is on this occasion.
Website: http://www.thirdfloorgallery.com/
Exhibition runs till 22 June, with a 'shift' scheduled for between 26 May and 1 June.
Certainly in the world of fine art gallery system there is rarely an opportunity to react quickly to events. Exhibitions are booked months or years in advance. Art is traditionally expected to address 'timeless' themes and art production often uses labourious time-consuming methods of creation. Last year I came across a Danish fine artist, Thierry Geoffroy, who had attempted to address the problem. His 'Emergency Room' exhibitions give regular opportunities (often daily) for the exhibitors to enter the gallery and amend or replace their works as outside events progress.
Photography at least has the advantage of having a variety of regularly published news platforms - papers, magazines - as an outlet for its reportage. Digital photographs can be emailed within seconds. The Third Floor exhibition errs away from journalism and heavily towards the 'arty' photograph, laiden with symbolism and, dare I say, a beautiful but static view of a bloody civil war. It is open to question whether such a controlled, sparce and traditional display fits with the aspiration of dynamism, change and response.
Of course, every exhibition of art and photography that encourages the audience to scrutinise images and consider their attitudes to major world events is a very good thing indeed. All credit goes to the photographers (and subjects) for their courage and creativity in a hostile environment. In my humble view the "Shift" idea has potential to be taken much further in the future than it is on this occasion.
Website: http://www.thirdfloorgallery.com/
Exhibition runs till 22 June, with a 'shift' scheduled for between 26 May and 1 June.
Wednesday, 25 July 2012
Multicolour Sweet Shop
Cornershop
Acrylic paint on canvas
25 x 25 x 3.5cm
One of my favorite views in Cardiff, a small shop on a very acute corner in what used to be called Cardiff Docks. It's not the most salubrious area, somewhere architecture students will go to study 'urban grain', so a multicolour makeover was a reasonably difficult challenge.
The result seems to be quite successful, if I don't say so myself. The red car and the passers-by help to add a bit of scale. For the fans of clutter there is street furniture, posters, fire alarms and a satellite dish...
Buildings have faces and characters so I guess you can describe this as another portrait. In that case it's a fusion of my many black & white pen & ink street scenes and my technicolour painted heads!!
Acrylic paint on canvas
25 x 25 x 3.5cm
One of my favorite views in Cardiff, a small shop on a very acute corner in what used to be called Cardiff Docks. It's not the most salubrious area, somewhere architecture students will go to study 'urban grain', so a multicolour makeover was a reasonably difficult challenge.
The result seems to be quite successful, if I don't say so myself. The red car and the passers-by help to add a bit of scale. For the fans of clutter there is street furniture, posters, fire alarms and a satellite dish...
Buildings have faces and characters so I guess you can describe this as another portrait. In that case it's a fusion of my many black & white pen & ink street scenes and my technicolour painted heads!!
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